To end this lesson, we’ll mention how musical chords can actually be of different types, i.e. with four, five and six notes and more. In particular the quadriads (four-note chords) are very common in music, and one of these is called a diminished seventh chord, abbreviated as such: C dim7. It is derived from the diminished triad we have just seen, but adds a further interval. Let’s take the example of the G# dim7 chord. Here are the notes it’s made from: G#; B; D; F. Try building it in the chromatic wheel. It will look like this:
A square. Indeed, in this case, the interval distances between the various notes that form the chord are always the same, namely 3 sT. Like the augmented triad, the diminished quadriad is also perfectly symmetrical. Just as a square remains square whatever side it assumes as a base, so the diminished quadriad retains its symmetry and can be named starting from any note of which it is made.
So:
G# dim7 = B dim7 = D dim7 = F dim7
Generalizing we could then say that:
square = quadriad diminished seventh
Given its symmetry, how many different squares can be constructed on the regular dodecagon inscribed in a circle? And consequently, how many dim7 chords can you build? Once you have found them, name them.
Try assigning a sound to all chords seen. Look for the notes on a piano and concentrate on the sensations these chords arouse in you. You will thus be able to fix in your memory that a certain geometric figure corresponds to a specific chord and therefore to a specific emotion, i.e. the one you have assigned to it
As we said, there are many possible chords: Try to build the following in the chromatic circle:
C7 (it reads ‘C seventh’ and is formed by the notes C-E-G-Bb).
C7/b5 (it reads ‘C seventh, flat fifth’ and is formed by the notes C-E-Gb-Bb)
What geometric shapes are represented? Describe them and look for any special features.
CONCLUSIONS
We end this lesson with a philosophical reflection. As you can hear from listening to how these chords sound, what looks a bit “disordered” from a geometric point of view, our ear perceives it as very pleasant and natural. Conversely what appears “beautiful” and perfect from a geometric point of view, is rather hard and dissonant to the ear.
I’ll leave you to draw your own conclusions!